正弦波合成是一种用纯音代替共振峰语音合成方法。哈斯金斯实验室的Philip Rubin于1970年代开发了第一个正弦波合成程序,用于自动创建感知实验的刺激物。随后,Robert Remez、Philip Rubin、David Pisoni及其他同事利用该程序证明,听者可以在没有传统语音线索(音高、重音和语气)时感知连续语音。这项研究说明,可将语音看做通过发音-声学空间的轨迹的动态模式。[1]

书目 编辑

  • Rubin, P.E. Sinewave synthesis. Internal memorandum, Haskins Laboratories, New Haven, CT, 1980.[1]页面存档备份,存于互联网档案馆
  • Remez, R.E., Rubin, P.E., Pisoni, D.B., & Carrell, T.D. Speech perception without traditional speech cues. Science, 1981, 212, 947-950.
  • Best, C.T., Morrongiello, B. & Robson, R. Perceptual equivalence of acoustic cues in speech and nonspeech perception. Perception & Psychophysics, 1981, 29, 191-211.
  • Remez, R.E., Rubin, P.E., Berns, S.M., Pardo, J.S. & Lang, J.M. On the perceptual organization of speech. Psychological Review, 1994, 101, 129-156.
  • Remez, R. E., Fellowes, J. M., & Rubin, P.E. Talker identification based on phonetic information. Journal of Experimental Psychology: Human Perception and Performance, 1997, 23, 651-666.

参考文献 编辑

  1. ^ Nonlinear dynamics in human behavior. Huys, Raoul., Jirsa, V. K. (Viktor K.). Berlin: Springer. 2010. ISBN 9783642162626. OCLC 700199659. 

外部链接 编辑