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舞蹈主題

Der Kinderreigen

舞蹈八大艺术之一,是於三度空間中以身體為語言作「心智交流」現象之人体的运动表达艺术,一般有音乐伴奏,以有节奏的动作为主要表现手段的艺术形式。它一般借助音乐,也借助其他的道具。舞蹈本身有多元的社會意義及作用,包括運動社交求偶祭祀禮儀等。

特色條目

Gaskell Ball
Ballroom dance, refers collectively to a set of partner dances, which originated in the Western world and are now enjoyed both socially and competitively around the globe. Its performance and entertainment aspects are also widely enjoyed on stage, in film, and on television.

While historically ballroom dance may refer to any form of formal social dancing as recreation, with the eminence of dancesport in modern times the term has become much narrower in scope, usually referring specifically to the International Standard and International Latin style dances (see dance groupings below). In the United States, two additional variations—"American Smooth" and "American Rhythm"—have also been popularized and are commonly recognized as styles of "ballroom dance".

The term "ballroom dancing" is derived from the word ball, which in turn originates from the Latin word ballare which means "to dance". In times past, ballroom dancing was "social dancing" for the privileged, leaving "folk dancing" for the lower classes. These boundaries have since become blurred, and it should be noted even in times long gone, many "ballroom" dances were really elevated folk dances.

特色圖片

Folk dance
提供者:Ivo Kruusamägi

The term "folk dance" is reserved for dances which are to a significant degree bound by tradition and originated in the times when the distinction existed between the dances of "common folk" and the dances of the "high society". Nowadays the role of folk dances has changed and it isn't uncommon to find folk dancers on the stage of concert halls. University of Tartu Folk Art Ensemble performing dance named "Kodukotus" in theatre Vanemuine.

特色傳記

Marius Ivanovich Petipa -Feb. 14 1898.JPG
Marius Petipa (born Victor Marius Alphonse Petipa on 11 March 1818 in Marseille, Kingdom of France) was a ballet dancer, teacher, and choreographer. His mother was an actress and drama teacher, while his father was a ballet master and teacher.

Petipa is noted for his long career as Premier Maître de Ballet of the St. Petersburg Imperial Theatres, a position he held from 1871 until 1903. He created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original: The Pharaoh's Daughter (1862); Don Quixote (1869); La Bayadère (1877); Le Talisman (1889); The Sleeping Beauty (1890); etc.

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舞蹈芭蕾音樂文化

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