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舞蹈主題

Der Kinderreigen

舞蹈八大艺术之一,是於三度空間中以身體為語言作「心智交流」現象之人体的运动表达艺术,一般有音乐伴奏,以有节奏的动作为主要表现手段的艺术形式。它一般借助音乐,也借助其他的道具。舞蹈本身有多元的社會意義及作用,包括運動社交求偶祭祀禮儀等。

特色條目

A bboy performing in a cipher for a crowd in Turkey.
Hip Hop dance refers to dance styles primarily danced to hip hop music or that have evolved as a part of the hip hop culture. This includes a wide range of styles such as breaking, popping, locking, and krumping. Breaking, locking, and popping were developed in the 1970s by Black and Latino Americans. Krumping followed in the 1990s and was developed by Black Americans in Compton, CA.

What separates hip hop dance from other forms of dance is that it is often improvisational (freestyle) in nature and hip hop dancers frequently engage in battles—formal or informal one on one dance competitions. Freestyle sessions and battles are usually performed in a cipher, a circular dance space which forms naturally once the dancing begins. It was DJ Afrika Bambaataa that outlined the five pillars of hip hop culture including breaking as one of them (along with rapping, DJing, beatboxing, and graffiti).

The dance industry responded to hip hop dance by creating a more commercial version of it. This "studio hip hop", sometimes called new style is the kind of hip hop dancing seen in most rap and R&B music videos. Technically speaking, hip hop dance (new style hip hop that is) is characterized as hard hitting. The feet are grounded, the chest is down, and the body is kept loose so that a dancer can easily alternate between hitting the beat or riding through the beat. This is in contrast to ballet or ballroom dancing where the chest is upright and the body is stiff. In addition, new style hip hop is very rhythmic and there's a lot of emphasis placed on musicality—how sensitive your movements are to the music.

特色圖片

Tutu by Edgar Degas
提供者:Tutu by Edgar Degas

A ballet tutu is a skirt worn as a costume in a ballet performance, often with attached bodice. It might be single layer, hanging down, or multiple layers starched and strutting out. Tutus were often cherished as costumes, for the tanning makeup people used to wear was forbidden to touch the costumes. Ballet Ports de Bras arm movements were modified to not touch the elegant costumes.

特色傳記

Photo of Emma Livry, c. 1860
Emma Livry (September 24, 1842 – July 26, 1863) was one of the last ballerinas of the Romantic ballet era, and a protégée of Marie Taglioni. She perished from burn injuries when her costume caught fire during a performance rehearsal.

Emma studied dancing while young and attended the Paris Opera School. She made her debut at age sixteen with the Paris Opera as the sylph in La Sylphide. Her talent brought her fame and she became a widely respected ballerina.

Marie Taglioni noticed her during one of her performances and immediately took a liking to the girl, becoming her mentor. Marie choreographed for Emma in the ballet Le Papillon, a piece by Jacques Offenbach that was especially created just for Emma.

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舞蹈芭蕾音樂文化

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