File:Mural-Ariel-Rios-Marsh-2.jpg

原始檔案(4,668 × 2,370 像素,檔案大小:6.89 MB,MIME 類型:image/jpeg


描述
English: Photograph of mural "Unloading the Mail" by Reginald Marsh at the Ariel Rios Federal Building, Washington, D.C.
Notes:
  • Date: 1936; dimensions: 6'7" x 12' 6".
  • Photographed as part of an assignment for the General Services Administration.
  • Title, date and keywords from information provided by the photographer.
  • Credit line: Photographs in the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division.
  • Gift; Carol M. Highsmith; 2009; (DLC/PP-2009:083).
  • Forms part of: Photographs in the Carol M. Highsmith Archive.

More information at The Living New Deal
Mural information from the General Services Administration:

Unloading the Mail emphasizes the international communication allowed by the exchange of mail. Marsh was inspired by his visits to RMS Berengaria docked in New York harbor. The ship was one of the largest in the Cunard Line, a transatlantic shipping company dating back over a century, which brought mail to American shores from around the globe. It is clear from his sketches that Marsh closely observed the exterior of the ship, but in the mural he focused on the activities that occurred in the harbor boat. Mailbags from France, Austria, Sweden, Great Britain, Italy, Switzerland, and India are being transferred from the ocean liner onto a harbor boat that will take the cargo to shore for distribution. The recently enhanced New York skyline can be glimpsed out the window on the left and, in the mural's lower left corner, a man takes careful note of the mail being received.
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來源
本圖像可以從美國國會圖書館的圖片與照片組獲得,其編號為highsm.24950
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作者
卡露·夏絲密芙  (1946–)  wikidata:Q5044454
 
卡露·夏絲密芙
別名

出生名:Carol Louise McKinney

藝名:Carol M. Highsmith
Carol McKinney Highsmith
描述 美國攝影師以及architectural photographer
出生日期 1946年五月18日 在維基數據編輯
出生地點 Leaksville, North Carolina
作品年代 1981-
創作地點
權威檔案
creator QS:P170,Q5044454
授權許可
(重用此檔案)
Public domain This work is from the Carol M. Highsmith Archive collection at the Library of Congress. According to the library, there are no known copyright restrictions on the use of this work.
Carol M. Highsmith has stipulated that her photographs are in the public domain. Photographs of sculpture or other works of art may be restricted by the copyright of the artist.

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