File:Burne-Jones, Sir Edward, Saint Cecilia, ca. 1900.jpg
原始檔案 (722 × 2,000 像素,檔案大小:535 KB,MIME 類型:image/jpeg)
愛德華·伯納-瓊斯:English: Saint Cecilia ( ) | |||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
作家 | |||||||||||||||||||||||||||
標題 |
English: Saint Cecilia |
||||||||||||||||||||||||||
描述 |
English: Catalogue Entry:
One of nearly thirty versions of a window designed by Burne-Jones and executed by the company founded by William Morris (1834–1896), Saint Cecilia is a product of the Arts and Crafts movement they initiated. Friends at Oxford, Morris and Burne-Jones became disciples of John Ruskin and the Pre-Raphaelite movement and put into practice his vision for the renewal of art. They sought to counter the effects of the machine age by reviving medieval crafts, abolishing distinctions between fine and decorative arts, and beautifying objects of everyday life. Morris wrote on the philosophy of art and founded a company to execute textiles, wallpaper, and other objects, while Burne-Jones, in addition to painting and sculpting, studied with the Pre-Raphaelite painter Dante Gabriel Rossetti and designed murals, tapestries, and stained glass for Morris’s company. The Gothic Revival style in architecture created a market for stained glass, especially in the 1870s, when Burne-Jones was a particularly prolific designer of windows. The first Saint Cecilia window, at Christ Church, Oxford (1875), shows the influence of the early Renaissance art he had seen in central Italy, most recently in 1871. The flat, abstracted, linear style and the wilting pose of the impossibly tall, graceful woman make reference to the work of Botticelli (Florentine, ca. 1445–1510), while the tapestry-like screen of pomegranate trees and fruits and the richly patterned brocade fabric recall the latest Gothic phase of Italian art, about 1400. Saint Cecilia, an early Christian Roman virgin martyr, became the patron saint of music and was portrayed with an organ — here, a portable organ of the fifteenth century. Although water organs existed in the ancient world, pipe organs date from the fourteenth century, so we must assume Cecilia is singing the praises of God in heaven, not during her earthly life. In the window at Christ Church, she is flanked by lancet windows with music-making angels; scenes from the life of a fellow martyr saint, Valerian, and her own martyrdom are shown below. In Chicago, a Saint Cecilia window was included in the stained glass of the Second Presbyterian Church (1904); there, the fabric behind the saint is blue, and the tree bears lemons, demonstrating the permutations that could occur among these windows. Gallery Label: Burne-Jones and Morris devoted their lives to social change through the arts—Burne-Jones as a painter and Morris, originally trained as an architect, as founder of the design firm that, in 1875, became Morris & Co. In their quest to improve the level of taste in interior furnishings, the firm designed stained-glass windows, murals, furniture, metal-and glassware, jewelry, and other decorative items, in addition to the textiles and wall coverings for which Morris & Co. is best known. Burne-Jones was Morris & Co.’s foremost stained-glass designer, creating windows for both ecclesiastical and domestic use. The organist of Christ Church Cathedral, Oxford, commissioned the initial Saint Cecilia design in 1875. The cathedral is famous for its choir, so the patron saint of music is an apt subject for the window. Cecilia, occupying the central vertical panel, plays the organ. At Oxford, two angels in flanking panels hold other instruments, and the story of Cecilia’s martyrdom is depicted in the three rectangular panels below. Burne-Jones’s cartoons, or full-scale designs, were reused for a number of window commissions, even after his death; the figure of Cecilia changes only slightly from window to window, but the colors and backgrounds vary. The Museum’s window perhaps originated as a private domestic commission, perhaps for a dining room, an entertainment space where the musical motif would be suitable. |
||||||||||||||||||||||||||
日期 |
約1900年 date QS:P571,+1900-00-00T00:00:00Z/9,P1480,Q5727902 |
||||||||||||||||||||||||||
表現方法 | Stained and painted glass | ||||||||||||||||||||||||||
尺寸 |
高度:213.5釐米;寬度:75.5釐米 dimensions QS:P2048,213.5U174728 dimensions QS:P2049,75.5U174728 frame: 高度:235釐米;寬度:88.7釐米;深度:4釐米 dimensions QS:P2048,235U174728 dimensions QS:P2049,88.7U174728 dimensions QS:P5524,4U174728 |
||||||||||||||||||||||||||
藏於 |
institution QS:P195,Q2603905 |
||||||||||||||||||||||||||
目前所在位置 |
European Art |
||||||||||||||||||||||||||
登錄號 |
y1974-84 |
||||||||||||||||||||||||||
取得方式/備註 | Museum purchase, Surdna Fund | ||||||||||||||||||||||||||
參考文獻 |
|
||||||||||||||||||||||||||
來源/攝影者 | Princeton University Art Museum | ||||||||||||||||||||||||||
授權許可 (重用此檔案) |
|
在此檔案描寫的項目
描繪內容
多媒體型式 繁體中文 (已轉換拼寫)
image/jpeg
資料大小 Chinese (Hong Kong) (已轉換拼寫)
548,016 位元組
2,000 像素
722 像素
檔案歷史
點選日期/時間以檢視該時間的檔案版本。
日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
---|---|---|---|---|---|
目前 | 2016年1月13日 (三) 22:47 | 722 × 2,000(535 KB) | Djkeddie | User created page with UploadWizard |
檔案用途
下列頁面有用到此檔案:
全域檔案使用狀況
以下其他 wiki 使用了這個檔案:
- el.wikipedia.org 的使用狀況
- en.wikipedia.org 的使用狀況
- fa.wikipedia.org 的使用狀況
- sl.wikipedia.org 的使用狀況
詮釋資料
此檔案中包含擴展的資訊。這些資訊可能是由數位相機或掃描器在建立時或數位化過程中所加入。
如果此檔案的來源檔案已被修改,一些資訊在修改後的檔案中將不能完全反映出來。
線上版權聲明 | http://www.digimarc.com/cgi-bin/ci.pl%3F4+158861+0+0+1 |
---|---|
方位 | 標準 |
水平解析度 | 300 dpi |
垂直解析度 | 300 dpi |
使用軟體 | Adobe Photoshop 7.0 |
檔案修改日期時間 | 2004年8月26日 (四) 21:22 |
色彩空間 | 顏色未校準 |
IIM 版本 | 2 |