File:Portrait of Shah Tahmasp I. Inscribed "Tammas Pers". Painted by Cristofano dell'Altissimo, dated 1552-1568.jpg
此為最大尺寸。
Portrait_of_Shah_Tahmasp_I._Inscribed_"Tammas_Pers"._Painted_by_Cristofano_dell'Altissimo,_dated_1552-1568.jpg （399 × 480 像素，檔案大小：100 KB，MIME 類型：image/jpeg）
摘要
| 描述 |
Portrait of Shah Tahmasp I, painted by Cristofano Dell'Altissimo between 1552 and 1568. Panel/oil painting. Inscribed "Tammas Pers". (Tanavoli, Parviz (2015). European Women in Persian Houses: Western Images in Safavid and Qajar Iran. I.B. Tauris. p. 18. ISBN 978-1838608484.) Housed at the Galleria degli Uffizi, Florence. The idea of a universal gallery made up of portraits of illustrious men was thanks to Cosimo I de' Medici. In 1552, the duke of Tuscany sent the painter Cristofano dell'Altissimo to Como to copy the collection of portraits of illustrious men that the learned bishop Paolo Giovio, who had recently died in Florence, had collected in his villa on the lake from 1521. It was a very rare collection, the most important of its kind, both for the presence of numerous splendid originals and for the large number of subjects. Copies were sent from Como in groups from 1552 to 1587/89, so much so that Vasari, in the second edition of the "Lives" (1568), lists 280 portraits already present in Florence. In the meantime, Vasari himself had set up for Cosimo, in Palazzo Vecchio, a room annexed to the rooms of the Guardaroba, the so-called room of the Globe or of the geographical maps, destined to welcome in a particularly worthy setting also the collection of portraits of illustrious men who hand was forming. The program so loved by Cosimo I did not bear fruit with the new Grand Duke Francesco, while it resumed immediately and in full with the accession to the throne of Ferdinand I. Between 1587, the initial year of his government, and 1591 he arranged for the transfer collection of portraits in the corridor of the Uffizi; in 1597 the diplomatic traveler and writer from Vicenza Filippo Pigafetta rearranged the collection according to the "dignities and professions" and highlighted the most serious gaps in order to then complete and update the whole series. The Giovian collection was continued until 1840, today it has 492 pieces and is extraordinarily important from a historical-iconographic, if not stylistic, point of view. The portrait in question, mentioned in Vasari's list of 1568, depicts Tammas Sophy, king of Persia, who lived in the 16th century. |
| 日期 | 在1552年到1568年之間 |
| 來源 | https://catalogo.uffizi.it/it/29/ricerca/detailiccd/1187798/ |
| 作者 |
授權條款
|
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域，是因下列原因：
維基媒體基金會的官方立場認為：「針對平面公有領域的藝術作品進行忠實重製，其重製後的照片也屬於公有領域。」
因此，可認定本重製照片屬於公有領域。在其他司法管轄區，再利用此照片可能會被限制；參見再利用PD-Art照片以獲得進一步資訊。 | ||||
檔案歷史
點選日期/時間以檢視該時間的檔案版本。
| 日期/時間 | 縮圖 | 尺寸 | 使用者 | 備註 | |
|---|---|---|---|---|---|
| 目前 | 2015年1月20日 (二) 09:44 | | 399 × 480（100 KB） | Sefer azeri | more quality |
| 2012年9月9日 (日) 20:42 |  | 238 × 306（8 KB） | Osmanlı98 | Resmin aslı | |
| 2010年7月25日 (日) 08:40 |  | 300 × 391（22 KB） | Qizilbash | Uploaded the version from [http://www.shahbazi.org/pages/moscovy7.htm Official website of Abdollah Shahbazi]. | |
| 2010年7月20日 (二) 12:40 |  | 450 × 587（53 KB） | Qizilbash | {{Information |Description={{en|1=Portrait of Shāh Tahmāsp I (1513-1576) (though the source page erroneously ascribe it to Tahmāsp II).}} |Source=[http://homepage.mac.com/zahedi/Zahedi_History/PhotoAlbum64.html Zahedi - The Safavids] |Author=Probably E |
檔案用途
全域檔案使用狀況
以下其他 wiki 使用了這個檔案：
- ar.wikipedia.org 的使用狀況
- arz.wikipedia.org 的使用狀況
- azb.wikipedia.org 的使用狀況
- az.wikipedia.org 的使用狀況
- az.wikiquote.org 的使用狀況
- bg.wikipedia.org 的使用狀況
- ca.wikipedia.org 的使用狀況
- cs.wikipedia.org 的使用狀況
- da.wikipedia.org 的使用狀況
- el.wikipedia.org 的使用狀況
- en.wikipedia.org 的使用狀況
- eu.wikipedia.org 的使用狀況
- fa.wikipedia.org 的使用狀況
- he.wikipedia.org 的使用狀況
- hy.wikipedia.org 的使用狀況
- it.wikipedia.org 的使用狀況
- la.wikipedia.org 的使用狀況
- pt.wikipedia.org 的使用狀況
- ru.wikipedia.org 的使用狀況
檢視此檔案的更多全域使用狀況。
